It just takes one intern dropping off something for wardrobe. Definitely pack your silencer, though.
( He's on the less helpful side of this coin, but, Ezra turns around to face Lucas.
"This is a good thing. It means you and I won't be chased through Mexico City. We could get you in and out. And, delay the discovery. Give you enough time to get away.")
( Max forwards the flight information as the group gets ready and packs up. They're expected that afternoon, so parts are moving quicker than any of them anticipated, but they've always worked well blind. At least the Malreaux did. Lucas will, too.
As the group returns to the main room, Ezra checks in on Lucas in the second bedroom to the suite, knocking on the door. )
Hey. I had a thought. Do you think anyone connected to the Winchesters, or do your parents know anyone that might be able to add a name to the crew list? I can glamour you an ID, but it would go a step farther if there's a name to match.
( He has another idea, but first, he asks this question. )
[Lucas pauses because he doesn't really know the Winchesters' connections, or his parents' anymore for that matter. He feels like he's still catching up in a lot of ways.
But since Ezra is still in the doorway, Jaqueline catches some of that as she comes into the main room and sighs.]
You know, I'm not completely useless.
[She reaches into her bag and pulls out her laptop.]
( Also, why the attitude? Aren't they that much closer? He looks back at Lucas. )
Now that we'll be in Puerto Rico, I won't be able to be right behind you. If you want, I can link to you - see through your eyes, answer any questions. I'd even have one spell I can unleash if things get hairy.
[He understands the tactics behind it but given that he was killed by a witch and his soul is currently up in the air thanks to another witch, he's going to shake his head.]
I appreciate it, but I don't think it's a good idea.
[It feels like it'll be too much of a distraction.]
You'll be on your on your own once you check in. Based on the grounds, I'll be parked on the other side of craft services. Get a lay of the land, take the opportunity when you get it. Find me. Anything goes wrong, you improvise. We'll get you out.
Probably the sooner the better. The more I look like a fixture the less suspicious it will be.
[Or at least that's his opinion on it. Jaqueline looks like she doesn't know what to do with it when she says. "I agree. The sooner he can become a familiar face, the better."
Then she pauses.
"Though do we know if she knows what her potential new meat suits look like?"]
( Ezra's knowledge of the rune and a spell like this consists of what he's done with it, what the spell became as the Colony evolved, but if he had to hazard a guess (11) )
Blood connects the target of the spell and who's brought back. Unless she had a target in mind, I don't think she knows who's coming after her. Unless the original spell is more concentrated and she -- gets visions or, maybe a feeling the closer he gets. But, I can't see it that far-reaching.
Technically, just don't look for a prolonged period of time at Roslyn Sanchez.
( But, yep, wheels up.
Everyone checks out.
Rusty has the option of also being a PA or something else on set, while on the plane, should he want to be closer on the ground.
Once the plane touches down, everyone separates. The Malreaux siblings meet their contact, playing the part of the envoy, while Ezra magically hotwires a car for him, Lucas, and Rusty. The three of them easily shoplift hats from the airport. It's all very slick.
Ezra drives faster than the town car that leisurely takes the Malreaux to the studio. They're still on the highway by the time Ezra pulls his stolen car around the back of the studio by crew and craft services parking. He pulls the car into park. )
[Rusty will take that option, being dubbed his usual fall back of "Dave," but adjusts his face because while Hernandez may not care about the vessels she's created for herself, she will recognize Rusty. So he puts a disguise in place and makes his way onto the set, spreading out and getting into place.
One way or another, Hernandez dies soon. And he's one step closer to finally being free.
Lucas also goes to keep himself busy, doing as he's told, but more actively looking for a sign of his quarry (5), though it's not going well because there are a lot of faces and he wasn't super familiar with her work before he died.]
( That five keeps him mostly engaged with the tasks on hand, instead of focusing on where Hernandez is. He does note that they're not shooting at he moment, nor rehearsing, so she probably won't be on set. He can make a listen check or an investigation check. )
[It's a lot of noise, but he's doing his best to try and investigate things. He's doing an average okay job (10). Who knows if his average, okay job is going to work though.]
( it is a lot of noise with the usual bustle of set. the AD is yelling something across the headset, a golf cart zooms by lucas. a rack of clothes is wheeled by in the direction of the trailers. )
[Yeah, you know what, let's follow the costumes. She probably has a trailer, right? And that trailer is labeled? Let's see if he can find something he can pop into for some privacy.]
( the clothes lead him past the trailers, but keep moving. there are five trailers, two on his left and three on his right as well as a small office with steps leading up at the back. make a stealth check )
[This part he's actually good at (16). He molds himself to the shadows, doing his best to blend in with the rest of the workers and keep himself from being noticed by looking out of the ordinary.]
( unfortunately, there's a stressed personal assistant with eyes everywhere (19) who steps in front of him with a clipboard, and balancing an iPad ontop.
"I don't recognize you," he says, clocking his laniard. )
[Lucas flashes him a small smile, before holding up the lanyard so they can take a better look.]
Tom Baker. I'm new, but I'm on the list.
[It's probably the fact that it's true that carries most of the lie (19). This is the part that he is good at, hunters are always better when they're pretending to be someone else.]
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Lucas raises an eyebrow. "I thought the plan was for a sniper."]
It was. Now we'll have to see what this movie set looks like.
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( He's on the less helpful side of this coin, but, Ezra turns around to face Lucas.
"This is a good thing. It means you and I won't be chased through Mexico City. We could get you in and out. And, delay the discovery. Give you enough time to get away." )
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Alright. Let's go to Puerto Rico, then.
[It's not like he has a choice.]
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As the group returns to the main room, Ezra checks in on Lucas in the second bedroom to the suite, knocking on the door. )
Hey. I had a thought. Do you think anyone connected to the Winchesters, or do your parents know anyone that might be able to add a name to the crew list? I can glamour you an ID, but it would go a step farther if there's a name to match.
( He has another idea, but first, he asks this question. )
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But since Ezra is still in the doorway, Jaqueline catches some of that as she comes into the main room and sighs.]
You know, I'm not completely useless.
[She reaches into her bag and pulls out her laptop.]
What's the name of this stupid show again?
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Fantasy Island. Just give me the name you use.
( Also, why the attitude? Aren't they that much closer? He looks back at Lucas. )
Now that we'll be in Puerto Rico, I won't be able to be right behind you. If you want, I can link to you - see through your eyes, answer any questions. I'd even have one spell I can unleash if things get hairy.
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Lucas considers what Ezra is offering, before frowning.]
So you'd be in my head?
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( But, it's only an offer. He wanted to make it. He promised he'd be there, now he can't be. )
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I appreciate it, but I don't think it's a good idea.
[It feels like it'll be too much of a distraction.]
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( A nice post rundown-rundown. )
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[Jaqueline finally glances up from her screen and closes the laptop with a nod. "You are now Tom Baker, production assistant."]
Great. What does a production assistant do exactly?
["Whatever anyone else tells them to do."]
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Do we deploy him right away, or send him to her after you make contact?
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[Or at least that's his opinion on it. Jaqueline looks like she doesn't know what to do with it when she says. "I agree. The sooner he can become a familiar face, the better."
Then she pauses.
"Though do we know if she knows what her potential new meat suits look like?"]
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Blood connects the target of the spell and who's brought back. Unless she had a target in mind, I don't think she knows who's coming after her. Unless the original spell is more concentrated and she -- gets visions or, maybe a feeling the closer he gets. But, I can't see it that far-reaching.
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[He slings his bag over his shoulder - not that he has many belongings at this point - before glancing to the rest.]
So are we good to go?
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( But, yep, wheels up.
Everyone checks out.
Rusty has the option of also being a PA or something else on set, while on the plane, should he want to be closer on the ground.
Once the plane touches down, everyone separates. The Malreaux siblings meet their contact, playing the part of the envoy, while Ezra magically hotwires a car for him, Lucas, and Rusty. The three of them easily shoplift hats from the airport. It's all very slick.
Ezra drives faster than the town car that leisurely takes the Malreaux to the studio. They're still on the highway by the time Ezra pulls his stolen car around the back of the studio by crew and craft services parking. He pulls the car into park. )
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One way or another, Hernandez dies soon. And he's one step closer to finally being free.
Lucas also goes to keep himself busy, doing as he's told, but more actively looking for a sign of his quarry (5), though it's not going well because there are a lot of faces and he wasn't super familiar with her work before he died.]
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"I don't recognize you," he says, clocking his laniard. )
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Tom Baker. I'm new, but I'm on the list.
[It's probably the fact that it's true that carries most of the lie (19). This is the part that he is good at, hunters are always better when they're pretending to be someone else.]
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