move your little finger and you can change the world

[enjoythe_ride]

Comments

[positiveinfluence]

[He shrugs, settling into the passenger seat.]

Guess I just don't want to miss the big show. Whatever grand plan Monroe's been working on for so long.

[He doesn't address William directly, keeping his eyes focused between his friend and the road.]

[pumping]

If we were in endgame, you think those keys would be on the hook? Our superiors would have been on our asses for even leaving. We trust them so they trust us.

( Except, every shade of not. He doesn't drive out far, considering the compound is already in the middle of an industrial neighborhood, but he does stop the car to far from the edge of the water, the view of the French Quarter ahead of them.

It seems they're on Marcel's side of the river.

He parks.

Not being there live gives William very little to go on. (4) so he stays silent. Is this information he needs, or is this a threat to his long distance boyfriend.

"Turn on the radio if I should be worried," he says, hoping they haven't gotten out of the car. )

[positiveinfluence]

[Cooper isn't sure they're staying in the car. So he's doing his best to keep his eyes on the water in front of them, trying not to focus on the dread that he might wind up in it.]

Mind if I put on some tunes?

[So yes, William, you should probably be worried.

Also, listen check, Mickey.]

[pumping]

Thought we might spread our legs.

( The flow of the river below probably drowns out whatever he should hear as he gets a (10), meanwhile, Cooper make a spot check

William quickly pulls up a chat window to Isaac

Do you know anyone in or around New Orleans )

[positiveinfluence]

[Cooper? is the message that comes back. Isaac assumes he knows what it's for, but who he gives him is going to depend on what the work is that needs doing.

Coop catches sight of the hand on Mickey's gun (14), and he lingers on the passenger side of the truck, keeping the bulk of his body behind the engine block. He turns his attention back out to the water, trying to figure out what the next play is.

He weighs the pros and cons, but from what he can see, the longer he lingers, the more likely he is to be dead sooner rather than later.]

She's testing you, isn't she?

[pumping]

( William types as fasr

Not Cooper. Cooper's in trouble. He and someone or someone's parked across the river. )

It's not a test if she's right, Coop. ( He grips the handle of his gun. ) What happened with the other soldiers in Prague.

[positiveinfluence]

[That's what he meant, but William got him the information anyway: Call Bela.

Cooper, on the other hand, is keeping focused on Mickey in front of him, doing his best to be persuasive (16).]

I don't know! I wasn't in there. All I know is that it was some kind of spell, and I wasn't the one fucking with witches. But higher ups in the outfit definitely were.

[pumping]

( Mickey's (6) means that his friendship is still deep rooted. His compulsion has nothing to do with Cooper, so it's the first time he's able to separate the two. If only he could voice that.

He lets up on his grip. )

What do you mean, higher ups in the outfit? They went after the witches and that's why people died?

[positiveinfluence]

No. They had a witch working with them, on the inside, and then people died. They were talking about her before the job, and after everything went down they never mentioned her again.

[He thinks he might be getting somewhere, so he keeps pushing.]

Look, yes did I fuck up keeping a hold on Isaac Lahey and Bonnie Bennett? Maybe. But I wasn't in that tower. I was outside if it, with them, helping bring them in again.

[pumping]

( He's only heard whispers. That Cooper failed, got his ass kicked and lost a witch and Isaac Lahey. )

It's not maybe, Coop. Everyone thinks you failed with Isaac Lahey and that witch, Bonnie. And, what, we've been working with witches all along?

[positiveinfluence]

I'm one guy and there were two of them. I did the best I could. Bonnie may not have had magic, but she's lived without magic before.

[Now he's full out lying, but he's doing his best to cover (16). At least about the top part. The second half is the truth, as far as he's aware.]

Yeah, man. They were shooting for recruitment with Knightsbridge before things went sideways. They've always played it fast and loose with witches, and it bit them in the ass, so now they're trying to pin it on me.

[pumping]

( His walls break down further (8) believing the words underneath Cooper's words, and the logic swimming under the surface. )

I thought Isaac was lying. That fight broke out because of one of the witches. On the stage. ( His resolve crumbles to pieces but he has to ask. ) Are you working against us?

[positiveinfluence]

[How to answer that question? It's complicated to say the least, but he does his best to use as much truth as possible. It might be the only thing that saves him.]

I'm trying to keep us alive.

[pumping]

( A (19) has him let go of his gun completely, looking out to the water. He processing slower than others. Combining his usual process, it takes longer to work its way through his compelled system. He shakes his head trying to sort his thoughts. )

She wanted me to take care of you.

[positiveinfluence]

Okay.

[He figured as much. Now he just needs to figure a way out of it. He doesn't want Mickey to get further in trouble, but he also doesn't want to die. He needs Monroe to think things are playing out according to plan so that she doesn't divert and make a bigger mess.]

What did she want you to do with me?

[Because Monroe, like Gerard, is all about the show of it all.]

[pumping]

Nothing's off the table. In the least, tying you up and dropping you off the back of the truck. Making the example. She wouldn't have cared if I left you for dead. Coop, whatever you're doing, you're not just on her radar, you're in her crosshairs.

( He runs his fingers along the steering wheel before flinging himself out of the car, slamming it behind him. He approaches the water, shoving his hands in his pockets. )

[positiveinfluence]

[He grits his teeth, before shaking his head.]

Okay. Okay, then ... let's do it. Let's make an example of me.

[He can take the beating. Maybe this is an instance where he'll be more effective on the outside, rather than in.]

But you don't have to kill me to do that, do you?

[pumping]

( Mickey wants to fight everything that's been instilled in him but the (11) pushes the compulsion and the orders to the forefront as he draws his gun. )

I don't want to.

[positiveinfluence]

[Coop's face falls and he brings up his hands, not wanting to make himself seem like a threat.]

Mick ... c'mon man. It's me. You know me.

[He knows they're reaching the end of the line on this, but Coop knew he was living on borrowed time to begin with. He tries to maintain eye contact and get through to him.]

You don't have to do this.

[pumping]

I do. I have to do it. I don't have a choice.

( He tries his hardest at making that abundantly clear. This isn't because his loyalty is being tested, or because he doesn't love his best friend, it is because of compulsion he can't fight. He tried every way around it, but playing the part if the dutiful soldier only ends in one way.

He wishes it didn't. )

[positiveinfluence]

[Unfortunately, Cooper is too busy scrambling to try and save his life to see it (3). He's searching for familiarity in his friend's face, and instead all he sees is someone trapped and unable to see a way out.

And he knows that this is the way it was always going to end.]

I'm sorry.

[It's to William, but it's also for Mickey too. Sorry for putting him in this position, sorry for all of it. Sorry for thinking that he could do better in a world that wasn't built for it.

And, before he can say anything else, a bright orange fireball goes up in the middle of the French Quarter. He turns to look at it, taking his eyes off Mickey just for a moment.]

What the fuck?

[pumping]

( "No. You're not, you're not sorry," William says, both to Bela and to Cooper. "Negotiate. Tell him, tell him there's a hunter in their ranks we put there," he pleads as he fights back tears.

Mickey's focus falters, too, in the comedic moment between the two of them as the fire shoots into the sky. )

Yeah.

[positiveinfluence]

[Coop glances back to him, and sees Mickey shift, and does the only thing he can do. Because he doesn't want to die, he doesn't want to just give up, so he does the only thing he can do.

He tries to make a go for the gun (10). But given that he is just a human, and doesn't know that Mickey is not, it might not go well for him.]

[pumping]

( Despite the human-vampire divide, Mickey's compelled devotion and distraction (9) means Coop's training kicks in and he gets his hands on the gun. Not knowing what to do, he tries to wrestle it back, pulling Coop backward toward the water as he does (12). )

[positiveinfluence]

[Coop manages to hold his ground and keep his grip on the gun (18). He's not giving up yet, but he doesn't know how much leverage he has left to work. He tries to shift his grip, working one arm over top of Mickey's and attempting to shove his elbow upwards to catch him in the face (6) but his aim, it's not good unless Mickey rolls real bad.]